Perhaps the year’s most fascinating film thus far, The
Imposter delves headfirst into a world of ambiguity; and, indeed, ambiguity is,
for the majority of its 99 minute runtime, its sole offering to its audience.
Not that that audience would want to remain passive anyway –
the information unloaded in this docu-drama is, for the most part, only bereft
of the answers it cannot give: but the manner and timeliness in which it reveals
the information...
